original hip hop classics presented by sugar hill.

this record is a collaborative between marq spekt and experimental, proto-new wave musician gary wilson (stones throw). it’s rare that you get the opportunity to work with the actual artist rather than just sampling his records. gary opened his vaults and provided sample soundscapes. some of these instrumentals date back to 1973 and may have been heard before. others may not. the ending result is a pure creative expression and meshes hip-hop, psychedelic, jazz and funk. soak up the vibrations and enjoy!
this is the kind of idea that makes you enjoy the fringes of rap more than what’s in the spotlight. with that said, “broken mazes” sounds weirder on paper than it does in the headphones. gary wilson is an awesomely strange dude with some outré music under his belt, but for this project spekt wisely sticks with the more accessible sides of wilson’s catalog. it’s all breezy jazz-funk with some vague psychedelic touches for extra oomph, a wide-open feld for spekt to run his free-flowing bars. the result is relaxed and enjoyable, if at times a bit unfocused – kinda like a good open-ended improv session by a talented jazz band.

pioneer dj, guy cuevas made his name by being one of the first residents in the famous parisian club le palace, shortly after it opened in 1978. attracting some of the biggest names in the entertainment business like prince, madonna, kenzo, serge gainsbourg, the location was a must-go for any one wanting to party over the paris adopted cuban expat’s amazing selection.
released in 1983, guy cuevas’ 12” single “obsession” is probably one of the best french disco-boogie records, enriched by jean-paul goude’s artwork for the cover.
the a-side’s nassau mix by françois k is a sensual and airy journey, while the b-side’s london mix offers a more realistic approach that will please the more classic-listening disco enthusiasts.
to this day this is a limited repress to 1000.

180 gram, vinyl only.
alessio mereu joins andrea ferlin to create a brand-new duo: aleandro. the two sardinian artists have both been producing for a very long time, but this collaboration promises to deliver quality with 1921 ep.
the a-side kicks off with 19, a soothing track with a strong presence of modulated synths and pads, perfectly balanced with deep basses and kicks. its continual bassline only encourages the rest of the instruments to develop organically, making this one a very special journey throughout its length. the b-side 21 is more influenced by techno with heavier kicks and basses. the duo use trippy sonorities to catch people’s attention but beware: this track will even make your grandparents boogie!

feared, loved, hated and respected mancunian boogie crew full beam! dig deep into the cooler to bring you 8 big bombs for your bags. all hitters no shitters. a double lp of rare boogie grenades to blow up your dance floor featuring dubbed out club hits, midnight moochers, soul drenched drippers & balls out boogie. a banger for every point of the party - this is some specialist gear right off the hydrofoil. the fb! crew don t know what any of their tunes are called and who they are by because they can never be bothered to read the labels or sleeves (reading = very, very boring) therefore no track-list provided. take a leap of faith - you will not complain. the record comes with the number for the full beam! gee-line through which more information can be obtained (call at own risk). strictly for radio and dj use only. red laser corp.

for the 6th no bad days release, the label pulls in a shining star from an unlikely place: the city of bandung, indonesia. already loved at home for his work with disco edit gang midnight runners, here munir strikes solo, offering up an extension of his synthcraft and taste for low-slung modern funk + boogie.

after making waves a few years back via his potatohead people project (with astrological) and co-producing illa j s critically acclaimed self titled lp, vancouver based playboy & producer nick wisdom steps out from behind the boards to deliver his first solo release for bastard jazz. the -intimate strangers- ep mines deep into nick s proclivities for disco, hip-hop, and house flavours. -good times- kicks things off with a snapping four on the floor, deep rhodes chords and a rollicking bassline and vocals courtesy of mr. wisdom himself. -feelin alright- heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of reva devito (hw&w, kaytranada). on the flipside -don t tell- brings in some 80s boogie vibes with downlow vocals from san francisco s k-maxx, while -rock the cash bar- is an instrumental party rocking hip-hop jam sounding like a modern day showbiz & ag.

after releasing his debut album paradise earlier this year to much critical acclaim, b. bravo has swung back around for yet another trip to this island of cosmic delights, tapping into some of our favorite producers & extended fam for a special 12inch to accompany the digital of paradise remixed. the a-side kicks off with fool s gold producer sammy bananas turning the squelchy funk of freak it into a filtered french & italo inspired funky house monster, perfect for peak time on the dancefloor, while los angeles xl middleton deliver s a low slung g-funk & boogie inspired take on the album single i m for real. on the flip, uk producer smbd (better known as simbad) turns lay it on the line a classic 80s synth beast thats been tried & tested around european festivals all summer, while grandfeather (aka anton borin) comes through with a spacey & deep downtempo funk reversioning of cant keep my hands off you. los angeles-based adam mori aka b. bravo adds a touch of love to every soulful groove he gets his hands on. his signature sound, connecting outer space g-funk, r&b, and dance music has made him a name in the electronic music scene as well a key player in the worldwide modern funk movement, being hailed by the likes of xlr8r, fact magazine, gilles peterson and many more.

secondo is back with a brand new two-track 12- aimed squarely at the more discerning dance floors out there. ‘shakin’ on the a-side is a disco inflected bomb full of funky edits, sampled guitar licks and an irrepressible hook that gives the whole track a distinctly italo boogie feel. meanwhile, on the b-side ‘nine toms’ is a more laid back affair, a mid-tempo burner with soulful groans, off-kilter percussion and a wicked throbby bassline guaranteed to get you grooving. look out for future what about never releases in the coming months – a welcome return for am/pm and a debut ep from valerie from the galerie, both scheduled before the end of the year

leroy burgess - one of the pioneers of boogie, a legendary figure in the nyc disco scene and all-out originator is well known by dance music aficionados across the globe for his output. his logg project from the early 80’s especially has acquired a cult status amongst diggers, released on salsoul in 1981 and boasting mixes from larry levan the lp became an instant club classic that still commands the dancefloor in 2017. salsoul is a label that isn’t afraid to bridge the gap between their hugely groundbreaking catalogue and contemporary dance music. they understand the impact and influence their music has had on dj culture and embrace it wholly. step up uk underground producer marquis hawkes who originally approached salsoul with this set of killer reworkings that had long been private versions that featured in his sets. having dropped ep’s for labels such as dixon avenue basement jams, aus music, houndstooth and many more his name is firmly planted in the minds of record fiends across the nation. adopting a classic us style of production, using analog gear, dope loops and chops and finessing it all with his own grittiness, hawkes seemed a good fit to remix 2 stellar joints from logg s catalogue. something else and i know you will both get cut up, re-edited and laced with rock solid drum programming by hawkes on this sublime 12’’. lovingly tweaked with just the right amount of rawness for the dance this one won t leave your bag anytime soon! pure peak-time sounds here, another example of salsoul embracing the sounds of now and breathing freshness into their untouchable catalogue. essential.

multi-faceted irish musician david kitt aka new jackson returns to permanent vacation in full force, riding high from releasing his critically acclaimed debut album from night to night, which was filled with rich melodies, dusty synth pop, late-night boogie and cinematic deep house. for his third pv ep, new jackson tightens the strings and brings back the bounce with two rather floor-friendly tracks that are still deeply rooted in the unique new jackson universe. to round things up feather by feather is a love-trenched early morning anthem, which is the perfect soundtrack for doing all things that are nice in this world.

hier kommt die jährliche “soul togetherness” compilation mit den besten modern-soul-tracks des jahres. 15 erstklassige soul-jams, die teilweise erstmals auf tonträger erhältlich werden. mit highlights von omar zusammen mit dem los charlys orchestra, tawatha agee (gastsängerin von mtume) zusammen mit aeroplane, kenny thomas mit thames river soul (produziert von und featuring incognito), wez und the groove association, beide ex-mitglieder der brit-funk-band second image, sowie leela james (bekannt aus der us-reality-show “r&b divas: los angeles”), amp fiddler, faith evans, trina broussard und lifford.

following on many ace 12-releases, dego (4hero) & kaidi tatham release their debut album for theo parrish’s sound signature label. tip!
. 16 tracks displaying the duo s signature sound, carrying elements of jazz-funk, boogie, house and broken beat and featuring collaborations by the likes of mr. mensah, nadine charles, sarina leah, yelfris valdes, ray carless, wayne francis.

next up on joey negros z records is the vinyl sampler from under the influence vol.6 compiled by winston. featuring four sort after rare soul, funk & boogie tracks from the vaults, mary gold dancing being a mainstay in motor city drum ensemble dj sets. limited stock available no repress!

rnt welcomes dusty digger extraordinaires al-tone, with a superlative set of rare edit gold! known for their eponymous rework series, al tone (aka al bumz and tone b. nimble) come hot out of the gate with feelin irie a gritty afro boogie stomper, before moving into the uptempo soul of simone manuel. flip the disc over for the guitar and clavinet-driven groove of groovin, and then they take us home with the theo-esque looped sax and falsetto gallup of wishes. from obscurity to eternity in 4 masterful reworks!

the sweet and soulful harmonies of the whatnauts spanned a 15-year career in which they recorded three albums and numerous singles, ranging from timeless ballads to temptations-esque politically-charged funk to dancefloor boogie. the music of the baltimorebased group, which featured the angelic falsetto lead of billy herndon, gained relevance for a younger generation via samples taken by the likes of de la soul, a tribe called quest and kanye west. this 2-lp set is a career compendium of their best slow jams, funk grooves and 12-inch club tracks, including multiple unreleased and rare sides.

canada’s fastest moving and hardest working collective are back with one of their finest albums to date, a brand new journey into tropical, soul and jazz styles on their scorching new release, “under burning skies”. turbulent times call for strong voices and the souljazz orchestra’s new set packs a suitably heavy lyrical punch, with wry observations and an urge for progressive change. musically, the band continue to push the limits, dusting off 80s vintage synthesizers and early drum machines for the first time, bringing lo fi disco, boogie and electro touches to their trademark horn arrangements and earthy analogue sound. the fruits are a-plenty and the group sound at their confident and versatile best from start to finish. opener “dog eat dog” powers in with mabinuori idowu and philippe lafreniÞre lambasting the powerful and the corrupt over an infectious afro-disco groove, “lufunki” takes the group right back to their b-boy roots, bringing the afro vibes to beat street and “is yeelyel” delivers a killer rework of an obscure original by somalian super-group dur-dur band.

there is a long-standing love affair between dj harvey and pikes, ibiza. as well as coming back for his third consecutive ‘mercury rising’ residency, the legendary ‘djs’ dj has been appointed ‘cultural attaché’ for pikes, meaning his magic touch and feel-good presence will create even more special moments at pikes this summer, including the launch of new label, pikes records.
in 2015 dj harvey made his hugely anticipated return to ibiza and made pikes his home for his mercury rising debut, a concept inspired by the beauty of the real ibiza, the incredible history of pikes and a genuine love for music. the love, the dancing, the music and the balearic spirit perfectly and poetically encapsulated by dj harvey has seen mercury rising widely recognised as the most special night to embrace the island in over a decade.
the next step in the harvey and pikes story sees him launch pikes records – the first record label founded by pikes owners and ibiza rocks co-founders andy mckay and dawn hindle. on the label, harvey explains: i see so many avenues to work together to release music, everything from live recordings from ibiza rocks and pikes, mix tapes, original productions, showcasing new artists, theres all sorts of avenues to open up. with the finer details still under wraps, its safe to say fans can look forward to the first release being harveys very own mercury rising compilation. but what can we expect from the third instalment of mercury rising? putting it quite simply, just a serious good time really says harvey.

whiskey disco small batch is back to the fold with 4 cuts of sub 120 boogie bliss. frank angles kicks it off with a jam right at home on a boat, in the bay or on the playa. alex zuiev, fresh off his first whiskey disco release, flexes his funk and leads the party with a solid left-centric disco party. dubbed boogie galore on both outside cuts! buzz compass and murge hold down the inside crafting perfect early set kindling. as with all whiskey disco small batch, it s not for everyone, but it s perfect for you.

fresh from wowing us with that crazy limited promo 45, parisian krikor kouchian delivers 11 tracks of expertly executed boogie funk. big tip!

jerome derradji’s past due records is proud to announce the first part in a reissue series of lee moore’s rarest and meanest boogie funk tracks, originally produced for his labels score records and lm records, circa 1981-85. magnificient limited 7- reissue from the ultra rare boogie funk label score records with lee moore under the first family alias. rare as can be and simply amazing!

32 original recordings from chuck berrys chess years on 180 gram double vinyl, housed in a gatefold sleeve.

jerome derradjis past due records is proud to announce the first part in a reissue series of lee moore’s rarest and meanest boogie funk tracks, originally produced for his labels score records and lm records, circa 1981-85. alien changing times was produced by lee moore and paul zaleski for score records out of memphis. double sided 12inch, it is one of these future funk instrumentals that will light a fire on any dance floor. never reissued before today remastered. rarer than rare and so good!

your lost property is ready for collection.the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound on who is behind them, but it seems likely pbr streetgang may have something to do with it, that or the ghost bobby orlandos tape op, we can t be sure... the collection of oddities kicks off with the spacey titled ganu ganu , an apocalyptic sounding wrong-speeder that tensely builds a for a huge slow mo collision, crash helmet required. financial times dub is anything but economic with its use of slap bass guitar, and your all the richer for it.. on the flip things are no less funky but in an italo tinged vein with, with don t come runnin . as balearic as it is adriatic as it is boogie. finishing the quartet of curveballs is princess of persia a a hi tempo disco roller with a hypnotic groove to charm the scales of a cobra and sleazy vibe that makes you want to reach for the liquid gold & head to the downlow.. if you know then you know.. support from bicep, midland, paramida, manpower psychemagik tensnake

holy grail of memphis boogie funk! subway featuring wave is an absolute gem of a mini lp and is reissued for the first time ever on past due records. original copies are known to fetch in the thousands... produced by lee moore with stax musicians, including guitarist michael toles, keyboard player lester snell, and drummer willie hall, all members of the isaac hayes movement. he also hired bassist ray griffin who recorded numerous sessions for both stax and malaco records.

matt lord & dego join forces to bring you the disco boogie flex that is what does it take to come in first alongside the volcov & sassy j favourite the mid tempo luscious green woods

another limited edition remastered official reissue of one of the classic boogie song now very rare and sought after coming from the legendary delirium records now handled by best record italy.

raw outsider boogie, interstellar loaner funk, intimate synth sound productions on this debut from russia’s venus express ii. the lp features 8 hot tracks of spacey, jazzy, funky tunes in the similar format of star creature’s sky tony & liquid pegasus releases. this is true space funk!

jamie paton has been a regular fixture on emotional especial since the label first came to light, conjuring up a seductive blend of leftfield dance music with a broad range of influences. this time around he s turning out some of his remixes, leading in with the sweaty, dense throb of sexy merlins see you in the dark. guy schlaloms habibi by way of contrast becomes a lighter confection peppered with bubbly synth lines and an almost poppy persuasion. blancmanges feel me has a more cosmic lilt in its voluminous tones, and overdrive by gatos negros drifts out on an off-kilter kind of boogie for all manner of deviant dancers to get head-nodding to.

1977’s fire woman is perhaps the finest (and rarest) of foundars 15’s albums, offering a spicy buffet of groovy pop, reggae, native rock and dense, off-kilter funk. long sought after by aficionados, fire woman has been an lp that is more often heard about than actually heard.
that is about to change.
comb & razor sound is proud to present a new, fully-authorized reissue of fire woman, featuring eight crucial cuts representing the gold standard of the golden age of nigerian pop music. here’s your chance to catch the fire!

following on from his stellar record store day 2017 double-pack, dimitri is back with another clutch of indispensable disco edits from his impressive archive for the legendary salsoul label. any self-respecting dj or disco-lover will be brimming over with excitement upon looking at this impressive selection of tracks, all respectfully and lovingly tweaked by disco-dim. salsoul orchestra s ooh i love it (love break) kicks things off, a true blue classic, just gently touched in all the right places and extended in the best possible way. following up is skyy s total anthem first time around , a classic garage groove and dimitri s version is near perfect, again, re-touched by someone who truly understands what disco all about! essential stuff. on the flipside the jammers - be mine tonight , is another massive garage smasher, here dimitri almost edges shep pettibone s og mix into the boogie stratosphere, just incredible! it makes perfect sense that this amazing double-pack should finish on one of dimitri s most sought after edits - love committee s just as long as i got you , an epic slab of soulful, almost dark, disco. absolutely huge

whilst not the first uk dance scene the mods had that covered – northern soul is the longest running. those northern clubbers who eschewed late 60s psychedelic fripperies for obscure old soul records with the requisite beat, couldnt have known what they started. after using up all the uk released sides they began digging in the united states and after nearly 50 years the northern soul scene has probably unearthed more great music than any other. all night long is our tribute to those pioneers and includes current in-demanders such as the sensations demanding man, classics by the chandlers and ernest mosley and a host of other dancefloor friendly masterpieces. all night long, can you feel that beat and extra added soul will be available on cd & double vinyl and are compiled by dj and award winning compiler dean rudland, with stunning artwork from his long-time collaborators the unknown. across the three volumes there are 60 tracks of soul, funk and boogie.

das liverpooler quartett clinic schickt sich an, dem erst vor wenigen monaten veröffentlichten album free reign einen kleinen bruder an die seite zu stellen. daniel lopatin, der das album bereits mit produziert hat und zur zeit insgesamt recht ordentlich beschäftigt ist bei domino (ducktails, peaking lights), hat sich das gute stück nochmal zur brust genommen und nach seinen eigenen vorstellungen durch den wolf gedreht. das ergebnis erscheint anfang märz auf lp only via domino. limitiert auf 125 stück für deutschland!

brazilian mid tempo boogie double header. side a, an ultra catchy vocal hook with boogie guitars and syths. side aa, taken from the self titled master piece, this track is arguebly the most immediate and club friendly track from the album

after a couple of acclamed records likethe recent to france ep from javonntte and earlier the latest kai alce s work to date, sounds of the city s boss is setting sounds of the streets, a fresh imprint dedicated to the rich sounds of the 70s and the 80s, 2 very important decades in the history of the dance music. first reference is wulysse who presents a 3 tracker labelled * hotspot*. a bouncy mix of several assumed references - disco, funk, boogie, house, new wave and yeah, acid!

after a killer 12 inches from mori ra, jongno edits is back with two tunes, blurring the lines between editing and sampling. the a-side, 42 below, is an uplifting korean fusion boogie with slap bass, tropical synths, summery guitar and female vocals. given a serious dub work out by monsieur jongno. effortlessly working the bassline and guitar with added muscle, subtle dub fx s, drum fills, teasing the vocal and synths before unleashing the chorus and guitar solos. nice brazilian vibes on this one, like a lincoln olivetti production, seoul went rio. on the flip side, drums and a bass is an obscure lp cut from a korean percussion ensemble with traditional korean folk elements, tribal drums and chanting, spikey avant garde guitar plucks, rolling punk funk bassline that builds the energy levels with jazz style vocals and horns. sounding very liquid liquid, a bit can, a bit pig bag, with some korean craziness. expertly extended and re-arranged by the jongno edits main man to give it more of a dancefloor edge, and ramping up the psychedelics. powerful stuff.

over the clouds, over the palm trees, there’s club paradiso. club paradiso is a mission. this italo-duo comes from rimini, adriatic coast, and brings forth the golden age of the spanking riviera club culture. travelling through time and space with synths and drum machines, they mix the past(a) and the future. it’s not all about nostalgia, it’s the future they like. the new ep titled “panoramica” sexily rides the summer vibe with infectious body-moving rhythms. the ep is an hypnotic and groovy journey that starts off with “batongo”, a tribal and exotic dancefloor banger that will let the sweat out of the listener in zero time. “espresso notte” is filled with organic house grooves, dreamy pads and a synth that tells you a story that could go on and on and on. “gulliver” and “litoraneo” pick up from there and bring the sound scenario down heavy with 70s-80s disco sounds and boogie, transporting mind and body to a warm and mellow planet. “panoramica” reflects perfectly club pradiso’s goal of mixing past and future, an über-cool ep that is both club and disco friendly.

official re-issue of bermudian disco record! 1000 copies initial pressing. big tip! in 1981, bermudian band paradise recorded sizzlin hot, a flawless album of original material in the disco, boogie and aor style. producer, writer and pianist grant williams formed several bands before becoming the fourth member of paradise, alongside bassist wincy woolridge, drummer ronnie lopes and singer june ventzos whose voice commands the album. for five years, the group regularly performed in hotels before hitting the local z.b.m. studios to record their sole album. sizzlin hot is inspired by the sound of earth, wind & fire. the album delivers several blistering tracks that could have been huge club anthems if the record had been promoted outside of bermuda. since bermuda is a fairly remote island, its no wonder that paradise remains virtually unknown to this day. it is all the more reason why this album stands-out and has universal appeal though it was only ever intended as a local thing as grant williams says.

preservation records in collaboration with big dipp present the breezy and soulful estrelar album by marcos valle, the first ever vinyl reissue since its original release on som livre in 1983! arranged by the brazilian boogie and soul legend lincoln olivetti. killer coverart, with a fantasic 8 page booklet based on an interview with marcos valle, written by allen thayer

get 2 know nicky benedek: a producer, songwriter, multi-instrumentalist and dj. his compositions bridge the nebulous territories of house, boogie, hip-hop, jazz-fusion and experimental new age. born and bred in los angeles, benedek began pulling inspiration from the city’s structural and visual dichotomies at a young age. he picked up a guitar at 9 years-old, taking note of any and all sonic surroundings, from prevalent west coast g-funk to the synthesized sound effects in video games to a herbie hancock record pulled from his dad’s collection. amongst a complex set of influences, funk took a hold on his heart by high school. bene’s world is benedek’s second leaving records release, following last year’s coolin’ ep as well as a full-length debut on the influential peoples potential unlimited label. his catalogue also includes collaborations with dam-funk, delroy edwards and tom noble. recorded between his koreatown studio and the west la home he grew up in, bene’s world captures the characteristically-la mingling of urban action and canyon seclusion.

before there was a man in black, there were the sun records years, when cash began defining his peculiar and witty version of country music. born in arkansas in 1932, cash began recording as a top artist for sun records, for which he released his first full-length lp. this double lp set documents all the hits from 1955 to 1958, before cash signed to columbia records. these 35 “first steps” helped build the legend and are considered the milestones of an incredible career that ended with those passionate and soulful albums on the “american recordings” series released between 1994 and 2003, the year jr cash died on sept 12.

was auch das neue kammerflimmer-werk wieder auszeichnet, ist der leichte umgang mit den schweren dingen, den grenzgängen und stilistischen erprobungen. in webers kollektief spielt die musik so sicher, so schön neben den zeichen und buchstaben, dass der hörer das andere schon aufgenommen hat, bevor er überhaupt darüber nachzudenken droht.

reissue of the highly sought after nigerian funk-rock album, moving effortlessly between reggae, jazzy afrobeat and psych rock. soundway fans first got a taste of jay-u’s infectious beats with the track ‘some more’, featured on the soundway compilation “nigeria disco funk special: the sound of the underground lagos dancefloor 1974-79”. originally released by emi nigeria in 1977, this now-rare album was written by jay-u and engineered by disco-boogie artist goddy oku. opening with the up-tempo reggae number “reggae deluxe”, the album descends into mind-blowing jazz-funk featuring several killer saxophone solos. the journey ends with a trip into psych-prog rock, with a sound not dissimilar to that coming out of the early 70s british rock scene.

22a017 has arrived and it sees two of london’s most celebrated underground producers enter into album territory.
comprised of ten cuts ‘brick city’ takes the listener on a journey through afro-house, funk, rare groove, boogie and broken beat to name a few. tunes like ‘brick city (4am)’ and ‘butterfly’ groove effortlessly whilst synth leads interject over tasty chords, all the while being supported by solid bass lines – these two will undoubtedly set a strong pace on the dancefloor.

dj, record label impresario and former swedish champion b-boy, mad mats knows a thing or two about finding good music. as well as iconic underground imprints raw fusion and gamm, mad mats is a partner in the highly regarded local talk label, making it highly probable that most of the world’s influential djs have at least one of his discoveries in their record bags.
for his first compilation on bbe, mats has put together a diverse selection of cuts, from reggae, hip hop and soul to boogie, electronica and house, reflecting his open-minded approach to djing.

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

locked club is the new russian electronic punk music. a wild combination of the legacy of classic house music, new-wave acid and techno sounds and the immersion of post-soviet dance experimentation. born out of scruffy techno beginnings at drum-heavy basement parties, this is a serious, acid inflicted view of modern electronic music from the other side - away from the surrealism of the big room. locked club and rlgn recorded this project together in a basement for the basement.

love cryme is back with another club-ready pressing of their signature sacramento based boogie funk sound. this is the much anticipated follow up to their sought after 2013 debut on rysque records, and is eddie pendergrass presents first 12inch offering. electric lady is a smooth, soulful scorcher while under the n fluence has a new jack swing influenced party vibe. second release from love cryme following their 2013 debut. tim tucker of love cryme recently released a sought after 7inch with brian ellis under the name birdbone unlimited, and has upcoming solo projects as well as a collaboration with boogie legend alfonzo. club-friendly 45rpm cut with vocal & instrumental of both tracks

everyone s favourite disco - boogie & house explorers midnight riot serve up another unique compilation le spank featuring a host of legendary acts & producers from the scene alongside some of the hottest rising stars from the underground. here we have grooves to move ya feet from man of the moment hifi sean with his stunning remix of unomas s shari vari featuring fritz helder (azari & iii) plus big name favourites like nyc disco giants odyssey,yam who? & al kent. dj support : greg wilson, horse meat disco soul clap, dimitri from paris, eli escobar, joey negro, luke soloman, jackmaster, dr packer,